Sunday, July 5, 2015

Watch Igor Durlovski in Jommelli rarity Il Vologeso

Igor Durlovski
Macedonian bass-barihunk Igor Durlovski performed Ancieto in Niccolò Jommelli's rarely produced opera Il Vologeso, Queen of Armenia last year at Staatstheater Stuttgart. The performance marked the 300th anniversary of the Italian composer. The plot of the 1766 opera concerns King Vologeso, who is deposed by Lucio Vero  and restored by another Roman, Flavio.

Niccolò Jommelli composed religious works and operas. In 1753, at the height of his fame, he was choirmaster at the ducal court of Württemberg in Ludwigsburg and commissioned to compose two operas a year.

Durlovski graduated from the Faculty of Music at Ss. Cyril and Methodius University of Skopje and  made his professional debut in 1999. From 2000 to 2002, he sang with the Macedonian Opera in numerous productions, including Lucia di Lammermoor, Il trovatore, Don Giovanni, Turandot, Il barbiere di Siviglia, La forza del destino, Rigoletto, and Aida. He made his international debut at the Wiener Kammeroper in 2001 as Nonacourt in Nino Rota's Il cappello di paglia di Firenze. Since the 2009-10 he has appeared regularly at the Staatstheater Kassel.  

You can watch HERE

Friday, July 3, 2015

Shirtless pictures of Hadleigh Adams from Bajazet

Hadleigh Adams in rehearsal as Bajazet
If web traffic to our site is any indication, then readers are clearly enjoying the posts about Hadleigh Adams preparing for the Southern Hemisphere premiere of Vivaldi's Bajazet at Australia's Pinchgut Opera. Earlier today, we posted an amazing rehearsal video of him singing "Dov'e la figlia?," which shows why he's more than just a pretty face...the man can SING! We figured that we're share a few photos, as well, because he's clearly as easy on the eyes as the ears.

Adams is returning to Pinchgut after a successful run as Pollux in their production of Rameau's Castor & Pollux in 2012. The company clearly recognizes his marketability, as he's part of their recent advertising campaign, which includes online banners, print ads and outdoor advertising. 

Hadleigh Adams in rehearsal as Bajazet
Bajazet, a rarely performed operatic tragedy, premiered in Verona in 1735 and is a pastiche of Vivaldi's own arias, as well as those by Johann Adolph Hasse, Geminiano Giacomelli, Nicola Porpora and Riccardo Broschi. The opera is also known as Il Tamerlano and the story was also successfully set to music by Handel. The libretto revolves around romantic entanglements and love triangles and the struggle for power between Bajazet, ruler of the Turks, and Tamerlano, ruler of the Tartars.

Performances of Vivaldi’s Bajazet will be on July 4, 5, 7 and 8 at City Recital Hall Angel Place in Sydney.  Also in the cast is Christopher Lowrey as Tamerlano, Helen Sherman as Irene, Emily Edmonds as Asteria and Russell Harcourt as Andronicus. Tickets and additional production information is available online.

Hadleigh Adams singing "Dov'è la figlia?" from Bajazet



We've posted pretty extensively about barihunk Hadleigh Adams performing in the Southern Hemisphere premiere of Vivaldi's Bajazet, which you can read about HERE and HERE. We recently obtained a video of Adams singing the thrilling aria Dov'è la figlia?, which we wanted to share with readers. In case you live in a restricted area for the video, you can access it HERE. Otherwise, enjoy it below.

If you still haven't gotten enough of this thrilling upcoming performance, here is an article from the Sydney Morning Herald.


Thursday, July 2, 2015

Four baritones advance to Belvedere finals


Mikhail Timoshenko, Jared Bybee and Zak Kariithi
Four baritones, including American Jared Bybee, who has been featured on this site, have advanced to the finals of the 34th International Hans Gabor Belevedere International Singing Competition in Amsterdam on July 4th. Joining Bybee are Lasha Sesitashvili from Georgia, Mikhail Timoshenko from Russian, and Zachariah Njoroge "Zak" Kariithi from Kenya. Bybee will be singing Prince Yeletsky's aria from Tchaikovsky's Pique Dame.

Lasha Sesitashvili
Finalists will perform with the Het Gelders Orchestra conducted by Ed Spanjaard. First prize receives € 7,000 in honor of Teresa Stich-Randall, second prize receives € 3,500 and third prize takes home € 2,500. Other prizes include an engagement in one of 12 opera houses, a special young artist award of € 500 and and  € 800, awarded by Yasuko Mitsui to a singer of her choice.

Past baritone and bass winners include Dong-Hwan Lee in 2013, Brian Mulligan in 2006, Ilya Kuzmin in 2004, Burak Bilgili in 2002, Vladimir Atanelishvili in 1996, Stanislaw Schwez in 1994, Detlev ROth in 1992, Woiciech Drabowicz in 1990, Peter Edelmann in 1989, Trond Halstein in 1987, Carsten Stabell in 1985 and Harrie Peeters in 1983. 

Wednesday, July 1, 2015

Introducing Canadian Bass-barihunk Tomislav Lavoie


Tomislav Lavoie

With all of our excitement about seeing Stéphane Degout ‏ in Gluck's Alceste at the Garnier, we almost overlooked Canadian bass-barihunk Tomislav Lavoie in the cast. He's caught our eye in the past as Leporello in Don Giovanni and Wagner in Faust, so he's long overdue to being introduced to our readers.

Tomislav Lavoie sings Wagner in Faust:


Lavoie studied at the Conservatoire de Musique in Montréal as a violinist before being hired by several famous orchestras among which the Orchestre Symphonique de Québec. He was called on to replace a singer as Masetto in Don Giovanni and the rest is history. He went on to study voice at  Montréal University and during his first year was asked to sing Figaro in Mozart's Le Nozze di Figaro. He was then invited to tour with Jeunesses musicales du Canada.

His performance as Apollo and two other roles in Alceste marks his debut at the Paris Opera. He now heads off to the Wexford Festival to perform Girot in Hérold's Le Pré aux Clercs. Tickets and additional cast information is available online.

David Adam Moore as sexy Pasha in Des Moines

 
David Adam Moore as the Pasha in Des Moines

The Des Moines Metro Opera is a stop that we're going to have to add to our tour schedule. Every season seems to be loaded with an ample supply of Midwest, grain-fed barihunks and hunkentenors. This year is no exception. Much of the credit has to go to Michael Mayes, who showed up in 2012 to sing the lead in Mozart's Don Giovanni and decided to get all of the baritones and tenors in shape. Singers were emailing telling us that Mayes was had them on a military regiment of gym training. 

Singers showing up in Des Moines seem to subconsciously realize that they better hit the gym and get their bodies in good as shape as their voices. Last year was no exception, as David Adam Moore set the standard with his ripped Joseph de Rocher in Heggie's Dead Man Walking

Jonathan Blalock: Even the tenors are getting bari-hunky in Des Moines
He's back this year in the non-singing role of the Pasha in Mozart's The Abduction from the Seraglio and he's bringing the sexy back to farm country. The cast includes two other singers familiar to this site, Matt Boehler as Osmin and hunkentenor Jonathan Blalock as Pedrillo. Blalock has been hitting the gym with barihunk Brent Michael Smith, who is singing Billy Jackrabbit in Puccini's Girl of the Golden West. And wait until you see the guys in that show! We promise that we have plenty of pictures forthcoming. 

David Adam Moore and Amanda Woodbury
Performances are on June 26 and 28, and July, 3, 11 and 19 and additional information is available online

Tuesday, June 30, 2015

Philippe Sly featured in hometown Ottawa paper

Philippe Sly and Lisette Oropesa in SF Opera's Le nozze di Figaro
Philippe Sly, who is one of our favorite young artists in the world, was recently featured in his hometown newspaper, which you can read HERE. Our favorite quote from the article comes from conductor Patrick Summer, who captures Sly's artistry perfectly:
“Philippe has a great and rare gift,” notes Patrick Summer, one of the world’s eminent opera conductors, who is on the podium for the SFO Figaro. “And that is his ability to be a storyteller, to illuminate the text and make the music pulsate off the page. He gives me great hope for the future of opera, which is in a vulnerable position. I can’t wait, in fact I hope I have the privilege and the good fortune, to conduct him in (Figaro) in 10 years, in 20 years, and see what he does.”
Performances run through July 5th and tickets and additional cast information is available online